HUNDEBISS NIGHT 28

Dilloway in Italy June 2010

Aaron Dilloway short visit to Italy with Spencer Yeh and Nico Vascellari.
































June 4, 2010
"I Hear a Shadow" Nico Vascellari exhibition with live sound manipulations by Aaron Dilloway & C Spencer Yeh
@ Museion,Bolzano

June 5, 2010
Aaron Dilloway, C Spencer Yeh and WW
at Hundebiss, Milan

June 6, 2010
Aaron Dilloway, C Spencer Yeh and WW
Codalunga, Vittorio Veneto

FLIER ARCHIVE #6

THE SCISSOR GIRLS
GALEN
GRAVITAR
@ THE GREEN ROOM
YPSILANTI, MI
DECEMBER 8, 1995

Flier design by Aaron Dilloway

FLIER ARCHIVE #5

GALEN
THE SCISSOR GIRLS
THE META-MATICS
@ ZOOTS COFFEE HOUSE, DETROIT, MI
AUGUST 18th, 1995.

The final GALEN show.

Flier Design by Aaron Dilloway (This is the original mock-up, so the contrast isn't fully there)

FLIER ARCHIVE #4

DUOTRON
XEROBOT
GALEN
@ THE PEOPLE'S TEMPLE
910 WEST HURON, ANN ARBOR, MI
JANUARY 26th, 1996

Flier design by Aaron Dilloway

FLIER ARCHIVE #3

HARRY PUSSY
CHARALAMBIDES
GALEN VIA HERCULES
@ THE HURON HOUSE, ANN ARBOR, MI
SEPTEMBER 4, 1995

Note: HP and CHARALAMBIDES cancelled, so only Galen played...I think maybe Nautical Almanac ended up playing as well.

Flier Design by Aaron Dilloway

FLIER ARCHIVE #2

WOLF EYES (Dilloway / Young era)
at BAR 16, NYC
August 16, 1999

I believe FRANCISCO LOPEZ and LARY 7 also performed

Flier design by Aaron Dilloway

FLIER ARCHIVE #1

HAIR POLICE
WOLF EYES
PRURIENT
KITES
S.P.
at: THE ELBOW ROOM
YPSILANTI, MI
APRIL 17, 2004

Flier Design by Aaron Dilloway

DRUNKS WITH GUNS "Inner Sleeve" in THE WIRE

I wrote a little article on the cover of the first Drunks With Guns LP for the Inner Sleeve section of the latest issue of THE WIRE magazine. It's in the May 2010 issue. There is also an exclusive mp3 download of my track "Eight Cut Scars (For Robert Turman)" from my "Modern Jester" cassette up on their site. I must say it sounds much better than the version on the cassette! Check em out!
-Aaron Dilloway

links:
The mag:
http://thewire.co.uk/
mp3 download/stream:
http://thewire.co.uk/articles/4110/